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THREE IRISH LEGENDS
No. 1. THE TIDES OF MANAUNAUN " 2. THE HERO SUN " 3. THE VOICE OF LIR
For Piano
BREITKOPF & HARTEL, INC.
New York
ft/
HENRY COWELL
THREE IRISH LEGENDS
Net
No. 1. THE TIDES OF MANAUNAUN $ .60 " 2. THE HERO SUN .75
" 3. THE VOICE OF LIR .60
For Piano
BREITKOPF & HARTEL, INC.
hleiu York
HENRY COWELL'S COMPOSITIONS
FOR PIANO
Advertisement Net $ .75
Amiable Conversation " .40
Antinomy " 1.25
Dynamic Motion " 1.00
Fabric " .60
What's This? " ,40
Six Ings:
No. 1. Floating " .40
" 2. Frisking " .60
" 3. Fleeting " .60
" 4. Scooting " .60
" 5. Wafting " .60
" 6. Seething " .60
Three Irish Legends:
No. 1. The Tides of Manaunaun " .60
" 2. The Hero Sun " .75
" 3. The Voice of Lir " .60
Episode " 1.00
Exultation " 1.00
PUBLISHERS:
BREITKOPF & HARTEL, INC. NEW YORK
Explanation of Symbols.
The Symbol
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or
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indicates that all the Chromatic tones inclusive be-
tween the upper and lower tones given, are to be played simultaniously.
Whole and half notes are written open, as in symbol (a)
Notes of other time values are written closed, as in symbol (b)
A sharp or flat above or below such a symbol indicates that only the black keys between the outer limits are to be played, while a natural in the same position indicates thatonly the white keys are to be played.
It is seen therefore that the symbol ^
stands for V' g
the symbol ^E
stands for /' ;
the symbol z^
JGi-
stands for _y j^^^^gg
The tone clusters indicated by these symbols are to be played either with the flat of the hand, or with the fore arm, owing to the length of the cluster. Care should be taken to play all the tones exactly together, and in legato passages, pressing down the keys, rather than striking them, thus obtaining a smoother tone quality.
TOE WW ncPK RiB'-ic uBwrar'^
CBIBRAL UBRAKf OF TriE PERfCRHHO JUOS lU AMSCHDANiVE. tOI fORK. M.T. Wl$
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To Edna L. Smith '
The Voice Of Lir
Story according to John Varian
Lir of the half tongue was the father of the gods, and of the universe. When he gave the orders for creation, the gods who executed his commands understood but half of what he said, owing to his having only half a tongue; with the result that for everything that has been created there is an unexpressed and concealed counterpart, which is the other half of Lir's plan of creation.
HENRY COWELL
Largo
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Printed in the U. S. A.
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Basso gva The Voice Of Lir 2
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To Mr. Rudolf Gam
A la Cbinoise
Allegro 8
PIANO( mp _^=^=,,=,^— _— ^^— -— -—
LEO ORNSTEIN, Op. 39
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Copyrig-ht MCMXVIII by Breitkopf & Hartel Inc.,New York.
Leo Ornstein's Compositions
PIANO SOLO
A la Chinoise (Impressions of a Chinese Town) n $1.25
A la Mexicana. 3 Pieces in Folk-style n 1.50
Arabesques n 1.50
Moments Musicals:
(A concp/t version of Schubert's "Moments Musicals,"
Op. 51, No. I) n .50
Scherzino, Op. 5, No. II n .50
Serenade, Op. 5, No. I n .50
Sonatina Hebraique n 2.00
VIOLIN AND PIANO
Sonata, Op. 26 n 2.00
Two Russian Barcarolles:
Tschaikowsky Barcarolle in G minor n .75
Rubinstein Barcarolle in F minor n .75
Russian Festival, Transcription by Arthur Hartmann n .50
MIXED CHORUS
Three Russian Choruses:
No. I Russian Lament n .30
" II Russian Winter n .30
" III Russian Festival n .30
ORCHESTRA
A la Chinoise (on Rental).
READ THE TRUTH ABOUT LEO ORNSTEIN
in F. H. Martens' Book
The Man — His Ideas — His Works.
With Pictures and other Illustrations, $1.00.
Breitkopf & Hartel, Inc.
NEW YORK
LITTLE BIOGRAPHIES
ARE
WONDERFUL GIFTS
FOR
EVERYBODY
For HOME and CONCERT For STUDY of MUSIC For RESFARCH WORK For CLASS WORK Written Interestingly and Briefly.
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